Radio Hour podcast on the Politics of Covid 19. David Remnick speaks with Susan B. Glasser about the bipartisan stimulus bill, the pandemic’s effect on the 2020 Presidential race, and how Trump thinks about public health. Full podcast on The New Yorker Radio Hour Website.
Digital news providers have to decide whether their content about Covid 19 should go behind a paywall, making it available only to paying subscribers or if it rather should be accessible to all…
For The New Yorker Radio Hour. The U.S. has the highest rate of incarceration in the world; although the country makes up about five per cent of the global population, it holds nearly a quarter of the world’s prisoners. Full Podcast here.
For an essay in The New York Times Sunday Review by Boris Fishman about his memoir "Savage Feast: Three Generations, Two Continents and a Dinner Table"
Coverillustration for The New York Times Book Review about three books on water contamination, fracking and opioids namely "What The Eyes Don't See" by Mona Hanna-Attisha, "The Poisened City" by Anna Clark and "Dopesick" by Beth Macy.
Golden Cosmos is the working name of Berlin-based duo Doris Freigofas and Daniel Dolz.
„The exuberant duo captures the simple, pleasurable details of daily life. But then there are also elements of the extraordinary in their images — spaceships, the Brothers Grimm, buttoned-up detectives, and devils — adventurous and occasionally sinister narratives like something from a German folk story made modern.
Their drawings walk the line between a daydream and the everyday. Distinctly European and quite at home with the other colorful, flattened perspectives showcased by Nobrow Press, Golden Cosmos’ work will be familiar to readers of The New York Times, The New Yorker, and Die Zeit. They have such a specific aesthetic, so it’s fascinating to know that their drawings emerge from two minds and four hands instead of the single pen of one illustrator.
They’ve worked together intensely ever since they met during their art foundation year in their hometown of Dresden, and their styles have folded into one another so seamlessly that it’s impossible to tell whether an illustration was drawn by Freigofas, Dolz, or a combination of both.“ Madeleine Morley, AIGA Eye on Design
