Goethe Institut
2017
A panorama for 2018 calendar
Germany
Blog Archives
Style Mountain
Style Mountain Magazine
2017
about mountaineering and finding oneself alone above the clouds
Antiques
The New Yorker
2017
Ageism
The New Yorker
2017
Stamps from Germany
Süddeutsche Magazin
2017
Warby Parker
Warby Parker
2017
Illustration for a limited edition of Lens Cloths
Lemoncello
Editions Milan
2017
A bookcover for “Vingt-Quatre Heures Dans L’Incroyable Bibliotheque De M. Lemoncello”
How to do Broadway
The New York Times
2017
PIRATOMANIA
Financial Page
The New Yorker
2017
Various illustrations for the Financial Page
Against The Grain
The Walls We Won’t Tear Down
The New York Times
2017
Deportation Force
The New York Times
Op-Ed
2017
Until thaw
The New York Times
2017
Total Eclipse
The New York Times
2017
Odyssey
The New Yorker
2017
Puppetry
The New Yorker
2016
about four unproduced plays by the artist Fortunato Depero in Rovereto, Italy
Utopia
The New Yorker
2016
about utopian communities in the USA
Guillaume Tell
The New Yorker
2016
für “Guillaume Tell”, eine Oper von Gioachino Rossini
The Rencontres d’Arles
The Rencontres d’Arles
2016
Yokainoshima
Charles Freger
2016
We made over 50 illustrations for french photographer Charles Freger’s new book Yokainoshima.
The book is a celebration of japanese folk rituals.
Yokainoshima is an artificial word and means Island of monsters.
More info and Charles Freger’s amazingly beautiful photos on his website.
Locomotion
The Great Wall
The International New York Times
2015
on human rights in China
Op Eds
The New York Times
2015-2016
Various Op-Ed illustrations
NYT Notable Opinion Art 2015
Oktober
The New Yorker
2015
For a piece of Martin Amis on a book tour and his observations in Germany,
that describes the Oktoberfesters juxtaposed in a subtle way with the influx of immigrants.
National Sawdust
The New Yorker
2015
for the opening ceremony of National Sawdust, a new music venue in an old sawmill in Williamsburg, New York
Selfie Publishing
Bloomberg Businessweek
2015
about the future of children’s books
WIRED masthead
WIRED magazine
2015
# Säxit
DIE ZEIT
2015
Map of Saxony (Germany) showing
recent events of xenophobia and its countermovement.
Heinrich
The New York Times
2015
We were asked by The New York Times to tell a story on our childhoot pet:
When I was about 5 years old I took my cat, Heinrich, with me to kindergarten. I carried him in my arms on the way there, and left him to wait for me outside until school was over. When I came back he was gone. I walked home and hoped he would be there, but he wasn’t. Every night I stood on the doorstep and called out his name — “Heinrich!” — into the dark garden but he never came. It was the first real loss in my life, and I was so sad.
Five years later my father came home with good news: He had found Heinrich! A colleague of his, who lived a few miles away had adopted a stray black and white cat at the time Heinrich got lost. I was so happy to get him back after all those years. But when we arrived at the man’s house, Heinrich didn’t recognize us. He was an old cat quietly enjoying the twilight of his life — so we left him there in his new home.
Global Warming
WIRED
2015
on misinformation about global warming
Californian Film Market
Variety Magazine
2014
for a story about the upcoming American Film Market in Santa Monica, and the impact of Chinese investors coming
Calendar 2015
2014
screenprinted with 5 colors
594×841 mm
Wine Topping
The Washington Post
2015
for a Q&A with the dining columnist
Walk on a tightrope
The International New York Times
2014
Coverillustration for the
Review Section about US-American
policy towards China
Die Ferne ist ein schöner Ort
2014
self published
18×25 cm
32 pages
4 color screen print
Edition: 45, signed and numbered
illustrated by Daniel Dolz
The book is about a boy with his binoculars.
He wears them wherever he goes and from a save distance watches intimate details of his fellow students.
It’s the story of a silent outsider who longs for closeness, appreciation and friendship.
Awards:
Illustrarte ’16, Lisbon, exhibited
Art Directors Club Germany 2015,
Silver Nail, young talent
Nami Concours
International Picture Book Award 2015, South Korea, Encouragement
Buy it at the Frankfurter Grafikbrief.
Howler
Howler Magazine
2014
repeat pattern
Double Hit
Golf Digest
2014
about accidentally hitting the ball twice when you’re hitting in thick rough on a golf course
At the beach
DIE ZEIT
2014
GOLDEN COSMOS
2014
screenprinted poster
594×841 mm
for an exhibition of a selection of screenprints and Risoprints by Golden Cosmos
at Büchergilde Galerie Hamburg
limited edition of 50
signed and numbered
The avenge of the bluebird
The New York Times
for Private Lives section
2014
based on an essay by Peyton Marshall about sparrows expelling the bluebird from its natural living environment
Doublelives
Das Magazin
2014
Coverillustration and 8 inside illustrations
based on stories of people living a double live.
Monkey’s Voyage
The New York Times
2014
for an article explaining how animals crossed the Atlantic thousands of years ago
Enorm Magazine
Greece
The Case for Filth
Time Check
International ZEITmagazin
2013
The Neighbor
Das Magazin
2013
Sweet Porridge
2013
275×390 mm
4 color screenprint
based on a fairy tale by Brothers Grimm
limited edition of 25,
signed and numbered
Just Married
Bloomberg View
2012
why US government can’t
pay couples to get married
Schauburg Apotheke
2013
3 color screenprint on tote bag
Innovators
MIT Technology Review
2013
Papercut
Summer Reading
The Future
The International New York Times
2013
Weltfeiertage 2014
Collection Büchergilde
Editor: Silvia Krysciak
2013
313×588 mm
The wall calendar illustrates 24 international holidays and accompanies you through a year of quiet, peaceful, spiritual, festive, hilarious and crazy holidays around the world.
France
Relax! You’ll be more productive.
The New York Times
2013
Coverillustration for Sunday Review
One day in the life of Europe
Das Magazin
2012
Coverartwork
Berlin
Human Empire
2012
50×70 cm
3 color screenprint
High Times
Supalife Edition
Supalife Kiosk
2011
42×59,4 cm
4 color screenprint
edition: 100, signed and numbered
Sonntagsheiligung in Deutschland
Edition Büchergilde
2012
9,5×12,5 cm, 24 pages
offset
“Travel is fatal to prejudice” Mark Twain once said. On a trip through Germany he then observed with delight, how devoted the people there recover on Sundays.
“Sonntagsheiligung in Deutschland” was published by Edition Büchergilde. It is part of the series “petits fours”.
Peter Schlemihl’s Remarkable Story
2011
17 × 24 cm
3 color screen print
Text: digital print
Edition: 7, signed and numbered
illustrated by Doris Freigofas
Peter Schlemihl’s Remarkable Story is a german novel written in 1814 by Adelbert von Chamisso. In the story Peter Schlemihl sells his shadow to the devil for a bottomless wallet, only to find that a man without a shadow is shunned by human society.
You can buy it here.
100 Years German National Library
Illustration for NODE Berlin Oslo
2011
The contribution for a stamp design competition of the German Finance Ministry won second place.
Calendar 2012
2011
59 × 84 cm
2 spot color offset print
Charles Dickens – Great Expectations
The Double
NOBROW
2011
22 x 31 cm
4 spot color offset print
Illustration for NOBROW Magazine N°6.
Von einem, der auszog
das Fürchten zu lernen
2010
24 × 37 cm
3 color screen print
Edition: 50, signed and numbered
illustrated by Doris Freigofas
“Von einem, der auszog das Fürchten zu lernen” is a modern interpretation of the well-known Grimms’ fairy tale “The Story of the Youth Who Went Forth to Learn What Fear Was.” In eleven double-page spreads it tells the story of a boy on his way to adulthood, who explores and crosses his own borders in search of himself.
The pictures tell the story without text and try to leave scope for individual interpretation. An extra booklet containing the original text is attached into the jacket flap at the end of the book.
The book was awarded in the international competition “Best Designed Books from all over the World 2010”, it won “Gold” in 3×3 Pro Show, New York and it was rewarded in Picture Book Awards, Korea, among others.
A few of my favourite things
NOBROW
2011
22 × 31 cm
4 spot color offset print
Repeat pattern for NOBROW Magazine N°5.
Don’t talk about love
NEON
2011
paper collage
Winter Maps
Nido
2011
9×12 cm
offset
Topsy Turvy
NOBROW
2010
22×31 cm
3 spot color print
Illustration for NOBROW Magazine N°2.
Glorious Types
2010
24×37 cm
3 color screen print
edition: 40, signed and numbered
illustrated by Daniel Dolz
“Glorious Types” is a symbiosis of illustration and type design. On eleven double-page spreads Daniel Dolz illustrates a complete team of legendary football players from various nations and from different decades. The book shows a varied mixture of most diverse characters (goalkeeper, strikers and defenders) which also is reflected in the choice of fonts. For each player Daniel Dolz designed a special font which coheres with the illustration.
In the side flaps of each illustration spread you can find a list with facts and short anecdotes of every player and the complete alphabet A-Z.
Childhood
2011
21 × 29 cm
2 color screen print
Edition: 25, signed and numbered
For an exhibition of the German
“Stiftung Illustration” about childhood
at the Frankfurt Book Fair.
by Daniel Dolz
“Children’s noise is the sound of the future.”
by Doris Freigofas
“The children of today are tyrants.
They contradict their parents, spill their
food and tease their teachers.” Sokrates
V is for Valentine
2010
15×15 cm
screen print
Match Box Homes
Neonchocolate Gallery
2011
6×11 cm
linocut
A series of 20 matchboxes for an exhibition
“Ein Haus für Immer” with Cristóbal Schmal
in Neonchocolate Gallery, Berlin.
Calendar 2011
2010
60 × 37 cm
Women’s Quota
ZEITmagazin
2011
What is the percentage of women in the gun club, shopping, or in perfumery?
Starting from the debate on a government-regulated rates for women in high management positions, the ZEITmagazin has found out how high is the percentage of women in other fields.
The higher the “women’s quota”, the more magenta in the illustration.
Beachbeauties
2010
2 color screen print
24×50 cm
edition: 25, signed and numbered
